Sunday, February 13, 2011

Comedy Vs. Tragedy + Anagnorisis

Firs, hands down my favorite character in The Cherry Orchard by Chekhov, experiences anagnorisis in the fourth act of the play. In fact, he is the last person to speak in the play. As he lay dieing, he mutters that "life has slipped by as though I hadn't lived" and finally his last words are: "I'm good, for nothing."

As Firs realizes that his life didn't really amount to much and slips away, the audience is stunned with his death. Isn't this a comedy? Chekhov, mocking this society, apparently throughout the play was making fun of a distressed little family. But, a comedy is supposed to end with a marriage, not death... so maybe we misinterrpreted his play. Maybe it isn't a comedy.

Since Chekhov is mocking society, and in life we generally think everything has a happy ending, then this could very well be a tragedy. Not only does Firs die, but his anagnorisis proves that that life has now meaning - no worth - "good for nothing".
Yet I don't think Chekhov would be that depressing with his writing. Personally, I think that he encorporated comedy and tragedy in order to create a completely real life scenario. Therefore everyone could interpret the play as either positive or negative whether they are optimistic or pessisimistic - just as they would interpret real life.

Thursday, February 10, 2011

Poems

When asked to read a poem from a literary magazine, I kept putting it off. Poetry has always intimidated me. I feel as if I cannot relate to it, and I do not understand what the complex, and muddled words of the poet are trying to say. I went to the library at the last possible moment, and started flipping frantically through the suggested magazines. Poem after poem, I read and read, I could not find anything that I liked. That I could relate to. That would bring some smigen of happiness to my day.

And then it hit me.

The poems aren't about me. It is someone else sharing their uttermost feelings with the world. Trying to find an outlet to their creativity, their gift. Even if I don't like it, this is what someone created. A human being's form of beauty-and pleasure. So, I opened a magazine again, and let the pages fall randomly. It was from the magazine Poetry.

My fingers paused at page 395. "In every life" by Aliciia Ostriker.

In every life there's a moment or two
when the self disappears, the cruel wound
takes over, and then again
at times we are filled with sky
or with birds or
simply with the sugary tea on the table
said the old woman

I know what you mean said the tulip
about epiphanies
for instance a cloudless April sky
the approach of a butterfly
but as to the disappearing self
no
I have not yet experienced that

You are creating distinctions
that do not exist in reality
where "self" and "not-self" are like salt
in ocean, cloud in sky
oxygen in fire
said the philosphical dog
under the table scratching his balls

Before hand, I would have not liked this poem, the last line is to vulgar (which is nothing compared to other things). Now, I can appreciate it. This Ostriker thought it had meaning. So now, I will try to find that hidden meaning, like a puzzle, which she hid throughout her words.

A woman, a tulip, and a dog. Three different life filled things. All speaking as if they knew eachother, yet, really, they don't. The woman discovers something, and the tulip thinks something, and then the dog states something. What I understood from this poem, is that this Alicia person is trying to say that everyone thinks in their own ways. No one is the same, and everyone has different experiences. The woman might have wounds from her long past, and she is handing herself over to soon to be death. The tulip is concentrating on beauty such as a "butterfly" or "cloudless sky" - while shying away from the thought of a "disappearing self". The dog, viewed as dirty and common place, simply states matter of factly that "distinctions" do not "exist in reality." In other words, everyone and everything is the same.

Yet how do these three characters relate? The fact that Ostriker used the figure three is significant, because it brings to mind the Roman Catholic Trinity: the Father, the Son, and the Holy Ghost. Therefore, religion, or after life come to mind.
A woman could signify fertility, yet since she is old, infertility is signified.
The tulip, a perennial flower, could represent rebirth after apparent death - reincarnation.
The dog brings to mind class, or in his case, low class. He is underneath the table, below the woman and the flower.

Infertility (the woman): Her wounds could be the lack of children, or the fact that her children are all grown up. She says that sometimes "the self disappears" and she can think of only her "wounds" or sometimes "sky", "birds", and "sugar". From this, I understood that in life, you can think of the sad things you cannot change, and you can think of those little pleasures in life which you love, and which seem as if they were placed there exactly for you. In other words, the opposites of life, the good and the bad, create a feeling of yourself "disappear"ing.

(to be continued)


Sunday, February 6, 2011

Love


The characters in The Cherry Orchard have some issues with love. Anya and Trofimov, Varya and Lopahin, Dunyasha and Yasha, and even Lyubov and her mysterious telegraph sender all have a fate which does not seem to include an end in marriage.


First of all, Trofimov and Anya do not seem at the same level of intelligence. Yes, very much in love, but is it a love which will last? Trofimov, a student in his twenties, is in love with a seventeen year old, not a good sign to begin with. But to top it off, after a long speech of romanticism from Trofimov, Anya replies with a mere "How well you speak! It is divine here to-day" (Act II). How funny! He has just professed how dearly he loves her, and that they will ignore the others, and continue with their love, and she talks about the weather! They don't exactly seem to be on the same page, which will most likely end with a goodbye, and they will never see eachother again.

Secondly, Varya, in love with Lopahin, wants to become a nun? What? I don't really understand what is going on there, but apparently, she wants to use the nunnery as an escape from her love for Lopahin. Lopahin seems slightly indifferent, when speaking with Lyubov, he says "She's a good girl" (Act II). And he isn't "against" marrying her. But that is the end of that. I guess that won't go anywhere.

Thirdly, Dunyasha and Yasha have an interesting little affair going on. Yasha started the whole thing by "hugging" her in the first act, but from thence on, Dunyasha has thrown her self at him. Most likely, nothing will occur there either. Simply heart break for poor, simple, Dunyasha.

And lastly, Lyubov has some sort of man begging for forgiveness...through telegrams...which she doesn't even read before tearing them up. Now, I am no expert on this kind of thing, but when someone doesn't even read the letter sent to them, I don't think they will ever make up.

Therefore, I don't think that any marriages are going to take place, meaning that this is not a comedy? I am not sure, but it is funny.